Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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TIZIANO Vecellio
St Jerome r
TIZIANO Vecellio51.jpg
ID: 09352

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TIZIANO Vecellio St Jerome  r


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TIZIANO Vecellio

Italian painter, Venetian school (b. 1490, Pieve di Cadore, d. 1576, Venezia).   Related Paintings of TIZIANO Vecellio :. | Venus and Adonis | Madonna of Frari dg | Rape of Europa | La Venus du Pardo | L'homme au gant |
Related Artists:
Kiprensky, Orest
Russian Painter, 1782-1836 Russian painter and draughtsman. The leading Russian portrait painter of the Romantic period, he was the illegitimate son of the landowner A. D'yakonov and was adopted by his serf, Adam Shval'b and granted his freedom at birth. His surname is unconnected with that of either his real or his adoptive father, and its origin is uncertain. In 1798 he was sent to the St Petersburg Academy of Arts, eventually studying history painting under Gabriel-Francois Doyen and Grigory Ugryumov. In 1805 he received an important gold medal for his painting Dmitry Donskoy on the Field of Kulikovo (St Petersburg, Rus. Mus.) and won the right to travel to Italy on a scholarship. He did not, however, do so immediately, because of the tense political situation in Europe. Kiprensky's history painting was in keeping with the patriotic mood of Russian society during the years of the war against Napoleon.
Ludovic Piette
French Painter, 1826-1878.French painter. He studied at the Ecole des Beaux-Arts in Paris during the 1850s under Isidore Pils and Thomas Couture. He attended classes at the Acad?mie Suisse and made his Salon d?but in 1857 with The Scorpion Broom (ex-Mus. B.-A., Rouen). His early works were often based on literary sources and include The Phantoms (exh. Salon 1859) and The Witches Appearing to Macbeth (exh. Salon 1861). Piette only exhibited at the Salon on two further occasions (1872 and 1876), preferring instead to sell his work at auction in the H?tel Drouot. In the early 1860s he abandoned literary subjects in favour of working directly from nature, a shift that probably relates to his developing friendship with Camille Pissarro. This association is first documented by Pissarros portrait of Piette in his Studio (1861; Dr and Mrs Jordan H. Trafimow priv. col.) and an important correspondence between the two artists from 1863 to 1877 survives. Piette portrayed Pissarro painting out of doors (c. 1870; priv. col., see Pissarro, exh. cat., ACGB, 1980, no. 322).
gabriele munter
Gabriele Munter (1877 - 1962) was a German expressionist painter who was at the forefront of the Munich avant-garde in the early 20th century.Gabriele Meenter was born in Berlin and showed an interest in art from a young age. She received private tuition in drawing and attended the local Women Artists School, as she was unable to enroll in the German art academies because she was a woman. Meenter left Berlin to attend the progressive Phalanx School in Munich. There she studied sculpture, printmaking and painting and in 1902 began a very intimate and personal relationship with the School director Wassily Kandinsky; they were later engaged to be married. In 1911 they founded the avant-garde expressionist group known as Der Blaue Reiter (The Blue Rider) group.During World War I the couple left Germany to take refuge in Switzerland, but since Kandinsky was Russian he was forced to return to Moscow in 1914. He divorced and remarried while in Russia and never saw Meenter again. She returned to Germany following the war but was relatively inactive in the arts again until the 1920s. During World War II she hid Kandinsky works and those of other members of the Blue Rider from the Nazis. She died in 1962 in Murnau am Staffelsee.






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